quietly waiting

A procrastination doodle for saturday. I have a free-ish evening, my wife has gone out to help deliver a baby (she's a childbirth coach) I have a storyboard to finish- but I am compelled to draw fat, flightless birds.

a-boardin'

A little screengrab of my recent storyboarding- not by any means a great drawing, but you can see how I like to work- usually super loose to start with. I'm using flash mainly because I love the way its brush tool behaves- crisp and responsive, as close as I can get to my favourite real drawing tool, brush and ink. Flash also allows for very easy fills of colour, just one click and your character's flooded with colour. Coupled with the ability to work on a timeline and flip your drawings, it becomes an awesome boarding tool.

I use colour if it will help clarify the image to the viewer (and also because the perfectionist in me won't quit) -but in truth storyboarding is about working fast , intuitively, and not getting hung up on detail- genreally I try to hit somewhere in between.

That said, I'm desperate to get my hands mucky with some oil paints this weekend.
Have a good one, folks!

Patriot- animated short from Roy Iddan

Patriot - Animated Short by Roy Iddan from Captain_Fantasy on Vimeo.


Take some time to watch Patriot, a short from a friend here in Tel Aviv, Roy Iddan. A classy piece of work that will keep your attention to the end.

Getting fishy

New years resolution?

Finish stuff.

I'm superb at starting stuff. Finishing is my area of concern. I will finish this fish. And all the other stuff I started.

Acrylic and oils.

2009

Happy new year. I look back on a wonderful and challenging year. I always seems to remember a year in terms of where I travelled- chronic wanderlust, I guess. Now I'm excited by what's coming up- learning so much and hungry for more. It's humbling to see the talent around me in Tel Aviv and Online, and so great to learn from it.

I spent my new years eve in bed. But also with champagne and wife, so that was just fine.

God bless. Have a great, fulfilling year. JP

Arr

A Pirate for a sunday. And yes, I still haven't finished the promised ballonist story. It's coming...yikes. I wish life was a little less busy. In the meantime I'll post the rough colour key...

Back to storyboarding!

Der Lavender Baron

Meet Erich Von Schmeck, AKA the Lavender Baron- A WW1 flying ace whose main instrument of war was a not a fokker triplane, but a hot air balloon. His first mission ended in disaster as he was unable to return to base due to lack of appropriate wind direction. He drifted aimlessly for some days before touching down on the Cornish coast, only to be speared by a local farmer.

German ace

Adding to the previous doodle, I'm preparing a story about the German hot air balloon aces of WW1. Needless to say, their careers were short.

I'll post the story by the end of the week.

you're excited, aren't you?

French Policeman

On storytelling

Comics doodle, flash and photoshop.

I sat in the park at lunch break and finished Carlos Ruis Zafon's The shadow of the wind. Initially put off by the whiff of queasy gothic romance, I have to admit this book stole me completely.

Set in Barcelona during 30s, it is the story of a kid who finds a book, the last remaining edition by an unknown author. After discovering that someone has been systematically trying to burn every copy of work by this author, the kid is compelled to find out story behind the book. The ensuing web of intrigue and coincidence, evil, misfortune, and love, is exquisite.

I'm in the business of telling stories, and I'm not sure I'm that great, but the one thing I do know is the most valuable asset you possess is the mind of your audience. Depending on your art form, every member of your audience is willing to give you at least a few seconds of their undivided attention- A precious snatch of time with which to hook them- and then release the next hook- and the next- until the end.

That's all storytelling is- the release of information.
Our goal is to know our characters and events so well, that our only priority is how to release the information- how to coerce, to manipulate, frighten, humour, enrage our audience. Leading them to invest themselves in the story.

As I read, I realized Zafon's book is a Masterpiece of this skill. How gently he nudges his audience into his traps, until we realize how each character and plot component suddenly begin to clarify, to fuse together, fuelling an inevitable climax. We realize he is too good at his craft to question it, and just have to buckle in and find out what happens.

Please read :)

Pigs and planes

I always dreamed of playing in a place like this when I was a kid. Hold on, I still do.

Colour version on the way :)

Just screwin' around...

Charcoal, coloured pencil, oils, photoshop.

Illustration friday.... wise

Wise guy. I'm cheating with this one, you may have seen it before, but it seemed to fit the week's topic.

LIFTOFF...nearly

Nothing like the closing stages of a project- increased pressure, sure, but increased energy too. As we finish our renders, our sound, and now compositing- we're getting there.

The little critters will fly.

Of course, I can't show you anything of the final animation. That sucks. Hope that changes soon.

:) JP

Cowboys and sketches

A fairly crumby elephant, but fun for warming up- charcoal.

We had my sons' birthday party this weekend. A wild west theme, that by the look of living room laid to waste at the end, was a success. I told the kids an improvised cowboy story with drawings, and my wife made the most awesome cake in history. Noah, in red, was immensely proud.