Der Lavender Baron

Meet Erich Von Schmeck, AKA the Lavender Baron- A WW1 flying ace whose main instrument of war was a not a fokker triplane, but a hot air balloon. His first mission ended in disaster as he was unable to return to base due to lack of appropriate wind direction. He drifted aimlessly for some days before touching down on the Cornish coast, only to be speared by a local farmer.

German ace

Adding to the previous doodle, I'm preparing a story about the German hot air balloon aces of WW1. Needless to say, their careers were short.

I'll post the story by the end of the week.

you're excited, aren't you?

French Policeman

On storytelling

Comics doodle, flash and photoshop.

I sat in the park at lunch break and finished Carlos Ruis Zafon's The shadow of the wind. Initially put off by the whiff of queasy gothic romance, I have to admit this book stole me completely.

Set in Barcelona during 30s, it is the story of a kid who finds a book, the last remaining edition by an unknown author. After discovering that someone has been systematically trying to burn every copy of work by this author, the kid is compelled to find out story behind the book. The ensuing web of intrigue and coincidence, evil, misfortune, and love, is exquisite.

I'm in the business of telling stories, and I'm not sure I'm that great, but the one thing I do know is the most valuable asset you possess is the mind of your audience. Depending on your art form, every member of your audience is willing to give you at least a few seconds of their undivided attention- A precious snatch of time with which to hook them- and then release the next hook- and the next- until the end.

That's all storytelling is- the release of information.
Our goal is to know our characters and events so well, that our only priority is how to release the information- how to coerce, to manipulate, frighten, humour, enrage our audience. Leading them to invest themselves in the story.

As I read, I realized Zafon's book is a Masterpiece of this skill. How gently he nudges his audience into his traps, until we realize how each character and plot component suddenly begin to clarify, to fuse together, fuelling an inevitable climax. We realize he is too good at his craft to question it, and just have to buckle in and find out what happens.

Please read :)

Pigs and planes

I always dreamed of playing in a place like this when I was a kid. Hold on, I still do.

Colour version on the way :)

Just screwin' around...

Charcoal, coloured pencil, oils, photoshop.

Illustration friday.... wise

Wise guy. I'm cheating with this one, you may have seen it before, but it seemed to fit the week's topic.

LIFTOFF...nearly

Nothing like the closing stages of a project- increased pressure, sure, but increased energy too. As we finish our renders, our sound, and now compositing- we're getting there.

The little critters will fly.

Of course, I can't show you anything of the final animation. That sucks. Hope that changes soon.

:) JP

Cowboys and sketches

A fairly crumby elephant, but fun for warming up- charcoal.

We had my sons' birthday party this weekend. A wild west theme, that by the look of living room laid to waste at the end, was a success. I told the kids an improvised cowboy story with drawings, and my wife made the most awesome cake in history. Noah, in red, was immensely proud.

Oily critters

Sometimes, there's nuthin' like oil paints. Some use them to paint portraits, landscapes, abstracts. I am still at the level of cheeky, bipedal rodents. We're currently in a bit of crunch animating these characters, which will be Cg/live action mix. I just got a bit pixel sick over the week so threw some paint around to relax. Consider this a sneak preview.

I'm going to wash off the caked sand from a volleyball match. I was told I jump like a frog. Oh well.

Note to aspiring oil painters. Do not organise your colours like this. You will end up fighting mud. I just get excited and throw down some colour everywhere. Do it properly. Hey, check out empty easel for a few good tips.

Girl

A paintover of one of yesterdays' sketches- clearly attempting to channel the spirit of Alessandro Barbucci-

And the skateboard is by Alberto Cerriteno. If you don't know his work yet, GO. A stylistic rinsing of your eyeballs will ensue.

Been a long time

Sorry, both of you, for the long gap between posts- had a crazy trip to LA, ostensibly to sell and promote projects- some of which was fun but mostly a bit crazy. That was followed by a fun three days in Austin, Texas- I like that town! Stayed in a hotel and storyboarded a lot with my work partner Alex, trying to win a big project. Sheesh. Work. Hurry. Lately I've been pretty stressed- wondering how animation, of all things should be stressful- but it's pretty hard work making it, right?

Lately I've been in a 'letting go' frame of mind. It helps a ton. So I'm not yet where I want to be- so I my work needs to improve- so I need to pay debts... ah well. Life is still good. I have an awesome family and food on the table.

Above, meeting sketches from this morning.

Samurai

Or, big guy in kimono. I'm reading shogun on the train to work at the moment. It's awesome.

Banzai!

raiders of the lost chickenshed

It seems that my default doodle is chickens. Watercolour pencil.

Gurus, thousands of them

To be a top class guru, a top class set of dreads is in order. Pastel, ink, digital.

I'm just putting off the 100 storyboards I have to do.

...Must ... procrastinate....

...must...post...holiday...pictures...



Allright. Dammit. I'll get back to work. Have a good day. My daughter is the happiest person I know, so I hope she can cheer you up if you need it :)

JPX